Store - Elevanfilm-拾忆菲林 https://elevanfilm.com/store/ Mon, 02 Nov 2026 23:44:34 +0000 en-US hourly 1 https://elevanfilm.com/wp-content/uploads/2022/07/cropped-new-logo-large-transparent-white-32x32.png Store - Elevanfilm-拾忆菲林 https://elevanfilm.com/store/ 32 32 EFL Lensbox — Wooden Lens Display Case https://elevanfilm.com/product/efl-lensbox/ https://elevanfilm.com/product/efl-lensbox/#respond Mon, 02 Nov 2026 22:14:37 +0000 https://elevanfilm.com/?post_type=product&p=3221 A solid-wood lens display case with a clear acrylic cover and a choice of lens-mount adapter. Choose basswood or Jichimu, with a standard or mirrored panel. A base compartment holds silica gel for passive humidity control.

EFL Lensbox — Wooden Lens Display Case最先出现在Elevanfilm-拾忆菲林。

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A camera and two lenses displayed in EFL Lensbox cases with pale and dark wood bases

EFL Lensbox · Elevanfilm

A place for the lens you love.

EFL Lensbox pairs a solid-wood base with a clear acrylic cover and a mount-specific adapter, giving a favorite lens a dust-cover display between rolls.

$37–$47

Choose basswood or Jichimu, with a standard or mirrored display panel. Shipping is set separately by the store.

See the four finishes
Check lens fit
Overall size125 × 125 × 115 mm
Approx. weight435 g
Lens support13 mount adapters

Choose your Lensbox

Four finishes, each with its own grain

Choose pale basswood or darker Jichimu. Each is available with a standard base panel or a mirrored panel that reflects the underside of the lens.

Basswood Lensbox with standard panel

Basswood · Standard

Light natural wood, without the mirror panel.

$37
Basswood Lensbox with mirrored display panel

Basswood · Mirror

Light natural wood with a mirrored display panel.

$40
Dark Jichimu wood Lensbox with standard panel

Jichimu · Standard

Deep-toned wood, without the mirror panel.

$44
Dark Jichimu wood Lensbox with mirrored display panel

Jichimu · Mirror

Deep-toned wood with a mirrored display panel.

$47

Natural wood varies. Grain, tone, and small marks formed as the wood grew will differ from one base to another.

A clear view, with a little protection

A lens displayed beneath the clear acrylic cover of a dark-wood Lensbox

Made to be looked at

Keep the details in view.

The clear PMMA cover shows the lens from every side while helping keep everyday dust off it. A locking screw and L-shaped hex key are included with the display stand.

Choose the mirrored panel to see more of the lens from above, including details that are easy to miss when it is standing upright.

A lens being seated on the mount-specific adapter inside a Lensbox

A mount-specific adapter

Set the lens upright without changing its mount.

Select an adapter for your lens mount. The adapter supports the lens at its mount, so the lens can stand upright for display without a permanent modification.

Check the lens dimensions below before ordering. The camera lens shown in the photographs is not included.

Lensbox displays arranged in a stack to save shelf space

A tidy display

Designed to stack.

Locating grooves in the feet help align stacked cases, making it easier to arrange a small collection on a shelf or in a cabinet.

The natural wood base adds a warm note to a darkroom shelf, studio desk, or camera cabinet.

Check the mount and dimensions

Choose an adapter that matches your lens.

Standard camera-lens adapters

Select one of the listed mount adapters when ordering:

  • Nikon F
  • Canon EF
  • Leica M
  • Leica R
  • Minolta MD
  • Canon FD
  • Pentax K
  • Olympus OM
  • Sony E
  • M42
  • Micro Four Thirds (M43)
  • L39 / Leica thread

Size limit: the lens body must extend no more than 70 mm beyond its mount. This is a physical length limit, not a focal-length limit.

Linhof lens-board adapter

The Linhof adapter is for selected 4×5 lenses with Copal No. 0 or No. 1 shutters. The source specification covers common 100–180 mm lenses with a barrel diameter under 60 mm and total length under 70 mm.

Please check your individual lens dimensions before choosing this adapter. Compatibility depends on the lens and shutter fitting within these limits.

Not sure? Compare your lens with the measurements above before placing an order.

A discreet place for silica gel

A reusable silica-gel sachet placed in the compartment beneath the Lensbox display panel

Passive humidity control

Keep desiccant close at hand.

A compartment in the base holds up to five silica-gel sachets at a time. Ten reusable, color-indicating sachets are included, so you can keep a spare set ready while the others dry.

Check the indicator periodically and dry or replace the sachets according to the supplier’s instructions.

A note on humidity: Lensbox is not airtight. Silica gel provides passive humidity control, and the conditions inside depend on the surrounding environment and the condition of the sachets. The case cannot guarantee protection against lens fungus.

Personalization

Add a small engraved lens ID.

Optional mirrored identification plaque

A separate mirror-finish plaque can be laser-engraved with a lens model or short message.

Optional · +$3

At a glance

Specifications and what’s included.

Specifications

Overall dimensions 125 × 125 × 115 mm
Weight Approximately 435 g
Wood options Basswood or Jichimu
Other materials PMMA, PETG, stainless steel
Cover Clear acrylic (PMMA)
Mirror panel Optional finish
Desiccant compartment Holds up to five sachets at a time
Included desiccant Ten reusable color-indicating sachets
Personalization Optional engraved mirror ID plaque, +$3

What’s in the box

  • One Lensbox display case in the selected wood and panel finish
  • One lens-mount or Linhof lens-board adapter in the selected format
  • Securing screw and L-shaped hex key
  • Ten reusable color-indicating silica-gel sachets

Lens and camera are not included. They are shown for display purposes only.

Before you choose

A few useful details.

No. Choose the adapter that matches your lens mount, then check the length limit. Standard lenses must extend no more than 70 mm beyond the mount. The Linhof adapter has additional shutter, diameter, and length limits.

No. The clear cover is not airtight. The base holds silica gel for passive humidity control, but results vary with room conditions and sachet condition. It cannot guarantee protection from fungus.

No. The camera and lenses in the product photographs are examples and are not part of the Lensbox package.

No. Each base is made from natural wood, so grain, tone, and small natural markings vary from piece to piece.

EFL Lensbox — Wooden Lens Display Case最先出现在Elevanfilm-拾忆菲林。

]]> https://elevanfilm.com/product/efl-lensbox/feed/ 0 Metal Winding Crank for Hasselblad 500C, 500C/M & 503CX https://elevanfilm.com/product/efl-h500wc/ https://elevanfilm.com/product/efl-h500wc/#respond Mon, 02 Nov 2026 21:21:36 +0000 https://elevanfilm.com/?post_type=product&p=3209 A folding metal winding crank for selected Hasselblad 500-series bodies. CNC-machined 6061 aluminum with a 304 stainless-steel latch and gold-tone PVD details. Fits the 500C, 500C/M, and 503CX.

Camera and lens shown for fit reference only; neither is included.

Metal Winding Crank for Hasselblad 500C, 500C/M & 503CX最先出现在Elevanfilm-拾忆菲林。

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Made for the original winding mount

A familiar fit, with a more substantial feel.

The EFL-H500WC is designed around the winding interface on selected Hasselblad 500-series cameras.

Close-up of the EFL-H500WC crank seated on a Hasselblad 500C camera body.
Close-up of the crank mounted to a compatible 500-series body.

Machined from 6061 aluminum. The crank body is CNC-machined and hard-anodized. A 304 stainless-steel latch and gold-tone titanium-nitride PVD details complete the black-and-gold finish.

The compact shape follows the camera’s original interface, while the folding arm gives you room to wind and folds back against the body for carrying.

Installation

Align, rotate, lock—then check the markers.

The crank uses the camera’s original winding mount. Use these steps to align, secure, and check the fitting.

A hand positioning the metal winding crank at the Hasselblad camera's winding mount.
Step 1: Align the small triangular mark on the crank with the mark at the camera’s winding interface.

01

Align the small triangle

Line up the small triangular mark on the crank with the mark at the camera’s winding interface.

A close view of the winding crank being seated and turned into the camera mount.
Step 2: Seat the crank on the interface, then rotate it to engage the camera’s locking connection.

02

Rotate to lock

Seat the crank on the interface, then rotate it to engage the camera’s original locking connection.

Close-up of the winding crank seated on the camera, with the alignment marker visible.
Step 3: Listen for the click and check that the larger triangular marks line up.

03

Listen and confirm

Listen for the click, then check that the larger triangular marks line up. Both indicate that the crank is locked.

Materials & finish

Metal construction, down to the latch.

Folding arm

Built around everyday handling

The folding arm has controlled resistance to help it stay in its folded or extended position. Open it to wind; fold it back when the camera goes away.

BodyCNC-machined, hard-anodized 6061 aluminum
Latch304 stainless steel
Detail finishGold-tone titanium-nitride PVD
EFL-H500WC metal winding crank folded closed.
Folded profile for storage.
EFL-H500WC metal winding crank with its arm extended.
Extended arm ready for winding.

Compatibility check

Confirm the exact body before ordering.

Supported models

Compatible bodies

Designed for the original winding interface on these Hasselblad models:

500C500C/M (500CM)503CX

Model check

Not compatible with

501C · 501CM · 503CXi · 503CW · 503CWD

Please check the model name on your camera before ordering.

On camera

A closer look at the crank in use.

Hasselblad film camera on a tripod with the EFL-H500WC crank extended outdoors.
The crank shown in its extended position on a camera in the field.
EFL-H500WC metal winding crank installed on a Hasselblad 500-series camera, showing its folded position and gold-tone details.
Installed on a Hasselblad 500-series body; camera and lens are shown for fit reference.

Specifications

Product details

Model EFL-H500WC
Dimensions 51 × 43.3 × 19.5 mm
Weight 47.1 g
Body material 6061 aluminum alloy
Latch material 304 stainless steel
Construction CNC-machined body with a folding winding arm
Compatibility Hasselblad 500C, 500C/M (500CM), and 503CX

Good to know

Frequently asked questions

Will this crank fit a Hasselblad 503CW?
No. The EFL-H500WC is not compatible with the 503CW. It is designed for the 500C, 500C/M, and 503CX.
How do I lock it onto the camera?
Align the small triangular marker with the winding interface, then rotate the crank to engage the mount. Listen for the click and confirm that the larger triangular markers line up before use.
Is this an original Hasselblad part?
No. This is an Elevanfilm accessory made for the listed Hasselblad camera models; it is not an original Hasselblad part.

Hasselblad model names are used only to identify compatibility. This Elevanfilm accessory is not manufactured by Hasselblad.

Metal Winding Crank for Hasselblad 500C, 500C/M & 503CX最先出现在Elevanfilm-拾忆菲林。

]]> https://elevanfilm.com/product/efl-h500wc/feed/ 0 Film Pass D2460 Reversal Filter https://elevanfilm.com/product/d2460/ https://elevanfilm.com/product/d2460/#respond Mon, 02 Nov 2026 20:09:03 +0000 https://elevanfilm.com/?post_type=product&p=3190 Shoot Kodak 2460 color negative film through the D2460 filter, then develop it in E-6 to produce color transparencies.

Film Pass D2460 Reversal Filter最先出现在Elevanfilm-拾忆菲林。

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How it works

From color negative film to color transparencies

The D2460 is designed for a specific process: shoot Kodak 2460 color negative film through the filter, then develop the film in E-6.

01

Fit the filter

Match the filter to your lens’s filter thread. If you need an adapter, choose a ring with the correct lens and filter sizes.

02

Meter for daylight

Set your camera’s built-in meter to ISO 100, or a handheld meter to ISO 64–80. Use spot metering and avoid underexposure.

03

Develop in E-6

After shooting, have the film developed using the E-6 reversal process.

Exposure guide

Daylight exposure at a glance

These starting points apply to daylight at around 5500 K. The best exposure for a given scene may vary with lighting and processing.

STARTING POINTISO 100

Set your camera’s built-in meter to ISO 100 when shooting Kodak 2460 in daylight.

  • Handheld meter: start at ISO 64–80.
  • Metering: spot metering is recommended. The exposure guide specifies a subject contrast range of approximately ±2.5 EV.
  • Exposure: avoid underexposure; the supplied instructions recommend generous exposure.
  • Lighting: designed for daylight at approximately 5500 K. The dusk and night photographs show examples under other light sources, where results can vary.

Filter sizes

Find the right size for your lens

Check the filter size marked on the front of your lens, usually shown as Ø52 or 52 mm. Your camera model alone will not tell you the correct filter size.

49 mm52 mm67 mm77 mm82 mm

Using a step-up ring

A compatible step-up ring lets you fit a larger filter to a smaller lens thread. Adapter rings are not included. Check both thread sizes and the exact lens version before ordering.

Check clearance with wide-angle lenses and 4×5 cameras

Filter thickness, lens hoods, camera movements, center filters, and bayonet or square filter systems can affect clearance or cause vignetting. If you’re unsure, send us the full lens model and details of your filter setup so we can check.

Thread size Price Shipping
49 mm $47 Included
52 mm $47 Included
67 mm $50 Included
77 mm $53 Included
82 mm $56 Included

Sample images

From daylight to after dark

The first three photographs show the finished transparencies and D2460 filter. The five film samples that follow were shot on Kodak 2460 sheet film through the D2460, developed in E-6, and scanned on an Epson GT-X970.

Four Kodak 2460 color transparencies photographed together

Finished transparencies

Photograph of the finished transparencies

Photograph of a ColorChecker detail on a Kodak 2460 transparency

ColorChecker detail

ColorChecker detail · Photograph of the transparency

Kodak 2460 transparency displayed alongside the D2460 filter

D2460 with transparency

Transparency alongside the D2460 filter

Daylight street scene shot on Kodak 2460 with the D2460 filter, scanned on an Epson GT-X970

Daylight street scene

Daylight street scene · Kodak 2460, E-6 · Scanned on an Epson GT-X970

Daylight portrait shot on Kodak 2460 with the D2460 filter, scanned on an Epson GT-X970

Daylight portrait

Daylight portrait · Kodak 2460, E-6 · Scanned on an Epson GT-X970

Daylight scene with a ColorChecker, shot on Kodak 2460 and scanned on an Epson GT-X970

Daylight ColorChecker study

Daylight ColorChecker study · Kodak 2460, E-6 · Scanned on an Epson GT-X970

Dusk cityscape shot on Kodak 2460 with the D2460 filter, scanned on an Epson GT-X970

Dusk cityscape

Dusk cityscape · Kodak 2460, E-6 · Scanned on an Epson GT-X970

Night storefront shot on Kodak 2460 with the D2460 filter, scanned on an Epson GT-X970

Night scene

Night scene · Kodak 2460, E-6 · Scanned on an Epson GT-X970

Color and density will vary with film batch, exposure, lighting, processing, and scanning or viewing conditions.

The filter

Optical glass for the 2460 process

Film Pass D2460 filter beside its protective case
D2460 filter and protective case.

The D2460 uses absorptive optical glass, with a specified light transmission of approximately 92%. Its optical characteristics are tailored to the Kodak 2460 and E-6 process described here.

Remove loose dust with a blower, then clean the glass with a lens cloth. Handle with care, protect it from impacts, and never rub grit across the surface.

D2460 filter beside a large-format camera lens
Example setup with a large-format lens. Check the lens thread, filter stack, and clearance before use.

Specifications

Product details

Product Film Pass D2460 reversal filter
Optical material Absorptive optical glass
Specified light transmission Approximately 92%
Film and process Kodak 2460 color negative film, developed in E-6
Available thread sizes 49 mm, 52 mm, 67 mm, 77 mm and 82 mm
Recommended lighting Daylight at approximately 5500 K
Included One D2460 filter in your selected size
Shipping Included in the price
Before ordering: confirm your lens’s filter thread size. If you need an adapter, check both thread sizes and hood clearance. Check for vignetting with wide-angle lenses and when using movements on a 4×5 camera.

Before you shoot

Frequently asked questions

Which film and process should I use?
Use Kodak 2460 color negative film and have it developed in E-6 after photographing with the D2460 filter. The filter is designed for this specific combination and is not intended as a general-purpose color-correction filter for other film stocks.
How should I meter?
In daylight at around 5500 K, set your camera’s built-in meter to ISO 100. For a handheld meter, use ISO 64–80. The supplied exposure guide recommends spot metering and a subject contrast range of approximately ±2.5 EV.
Which size fits my lens?
Check the filter size marked on the lens itself. The D2460 comes in 49, 52, 67, 77, and 82 mm sizes. Check the exact lens version, as filter threads can vary even between lenses for the same camera.
Can I use a step-up ring?
Yes, if the ring matches both your lens thread and the filter size. Adapter rings are not included. Check clearance and vignetting when using wide-angle lenses, 4×5 camera movements, lens hoods, or specialist filter systems.
Will my results look like the samples?
The samples show what this Kodak 2460 and E-6 process can produce. Your results will depend on film batch, exposure, subject contrast, lighting, processing, and how the transparencies are scanned or viewed.
What is included?
One D2460 filter in your selected size. Film, E-6 processing, and any adapter rings are separate.
How should I clean the filter?
Remove loose dust with a blower, then wipe gently with a lens cloth. Handle the glass carefully and protect it from impacts.

Film Pass D2460 Reversal Filter最先出现在Elevanfilm-拾忆菲林。

]]> https://elevanfilm.com/product/d2460/feed/ 0 GrafNoct 150mm F/1.6 MC Extra Rapid Portrait Lens https://elevanfilm.com/product/grafnoct150/ https://elevanfilm.com/product/grafnoct150/#respond Thu, 30 Jul 2026 16:33:45 +0000 https://elevanfilm.com/?post_type=product&p=3126 An ultra-fast 150mm F/1.6 large-format lens for portrait depth, wet plate, direct photo paper, night, and other low-light workflows.

GrafNoct 150mm F/1.6 MC Extra Rapid Portrait Lens最先出现在Elevanfilm-拾忆菲林。

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Real product photograph of the GrafNoct 150mm F/1.6 lens mounted on a Graflex camera

Large-format portrait depth, made deliberate.

Pre-order

Estimated dispatch: within 2 weeks after order confirmation.

An ultra-fast 150mm lens for 4×5 and smaller large-format systems, designed first for portrait depth and then for the low-sensitivity and low-light situations where every stop of light matters.

150mm

Focal length

F/1.6

Maximum aperture

4x5

And smaller formats

A different kind of 4x5 portrait lens

Large-format photography already gives a portrait a physical presence: the sheet is large, the camera slows the process down, and the focus plane becomes part of the composition. GrafNoct 150 starts from that experience and pushes it toward a more pronounced, expressive separation between the subject and the background.

With a 150mm focal length and a maximum aperture of F/1.6, the lens is made for photographers who want to place focus carefully on a face, a pair of hands, or a small object while allowing the surrounding scene to recede. It is not a request for every frame to look soft. It is an invitation to make the focus plane and the out-of-focus character part of the image design.

Portrait depth on 4x5

More room to isolate the subject

At F/1.6, GrafNoct 150 opens a new portrait vocabulary for 4×5 users who want a thinner focus plane than a conventional large-format lens usually offers. The result can feel intimate and graphic at the same time: the subject holds attention while the background becomes a controlled field of light, shape, and color.

Open up, or take back definition

Use F/1.6 when maximum separation is the point, or stop down through F/2, F/2.8, F/4, F/5.6, F/8, and F/13 as the scene needs more depth and definition. The choice is part of the look, not just an exposure correction.

The ultimate mystery _ Kodak 2460_5_tsukika777_来自小红书网页版
The ultimate mystery _ Kodak 2460_4_tsukika777_来自小红书网页版
The ultimate mystery _ Kodak 2460_3_tsukika777_来自小红书网页版
The ultimate mystery _ Kodak 2460_2_tsukika777_来自小红书网页版
The ultimate mystery _ Kodak 2460_1_tsukika777_来自小红书网页版
The last felix _ GRAFNOCT 150mm f1.6_4_tsukika777_来自小红书网页版
The last felix _ GRAFNOCT 150mm f1.6_2_tsukika777_来自小红书网页版
The last felix _ GRAFNOCT 150mm f1.6_1_tsukika777_来自小红书网页版
The last felix _ GRAFNOCT 150mm f1.6_3_tsukika777_来自小红书网页版
Grafnoct镜头最新样片_2_枸橼酸_来自小红书网页版
Grafnoct镜头最新样片_7_枸橼酸_来自小红书网页版
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d53fe7a783882d4462331ba02fe6bb7c

Portrait sample. A real-world photograph made with GrafNoct 150, showing shallow focus and subject separation. Sample courtesy of  Tsukika777, YinanSun.

01479362d046cb52e89a37e8934a9154
4286ffa9dae758e219c7771e9de7142f
eb4b8d589f70cd66e95b27b42d639b58
Grafnoct 150 1.6全开测试_1_赵相机_来自小红书网页版
Grafnoct 150 1.6全开测试_2_赵相机_来自小红书网页版
Grafnoct镜头最新样片_3_枸橼酸_来自小红书网页版

Out-of-focus rendering sample. A real-world photograph made with GrafNoct 150, included as a reference for focus falloff and background bokeh. Sample courtesy of YinanSun, 赵相机, 徐浩翔.

When you needs more light

Wet plate and direct photo paper work can demand a large amount of exposure. In those situations, a faster lens can reduce the lighting burden and give the photographer more freedom around faces, surfaces, and the atmosphere of the scene. The same principle matters when a 4×5 camera is used after dark or in other low-illumination environments.

F/1.6 does not remove the variables of large-format exposure. The actual result still depends on the medium’s sensitivity, reciprocity behavior, shutter, metering, subject movement, lighting, and development. GrafNoct 150 gives the workflow more light to work with; it does not replace those decisions.

Wet plate and direct photo paper

For low-sensitivity processes, the aperture can help bring the lighting setup closer to a workable scale, especially when the goal is to keep the subject’s expression and the scene’s natural light present.

Night and low-illumination scenes

For night portraits and other dim scenes, the extra aperture gives you another way to balance focus depth, shutter speed, and exposure without treating the lens as a fixed one-look tool.

Soft-focus control for a chosen look

GrafNoct 150 includes variable spherical-aberration control. This lets the photographer tune the lens’s soft-focus character rather than accepting one permanent rendering style. Depending on the adjustment, the out-of-focus areas can be made to feel smoother and more diffuse, or kept closer to a defined, structured look.

Think of it as another creative control beside aperture and focus distance. The most convincing result will always come from testing the lens with the photographer’s preferred film, plate, paper, lighting, and working distance.

Built around a large image circle and a fast aperture

Lens GrafNoct 150mm F/1.6 MC Extra Rapid Portrait
Focal length 150mm
Available apertures F/1.6, F/2, F/2.8, F/4, F/5.6, F/8, F/13
Coverage 4×5 and smaller formats
Image circle 170mm diameter
Optical construction Double-Gauss design; 5 groups / 6 elements; includes lanthanide high-index glass
Coating Visible-light multi-coating
Lens dimensions Maximum outer diameter 108.2mm; total length 101.4mm
Weight Approximately 1.3kg
Filter interface Front M105 P0.75
Soft-focus control Variable spherical-aberration control

Choose the board that matches your system

Select the lens-board format when placing your pre-order:

  • Sinar lens board
  • Graflex 8 Speed lens board
  • Graflex 24 Speed lens board
  • Linhof lens board

Shutter not included. GrafNoct 150 is supplied without a shutter and can be paired with a Graflex camera or a Sinar DB electronic shutter. The camera body, lens board, and shutter must be considered as one system.

Before you place a pre-order

It is designed for 4×5 and smaller formats. The current lens-board choices are Sinar, Graflex 8 Speed, Graflex 24 Speed, and Linhof.

No. The lens is sold without a shutter and can be paired with a Graflex camera or a Sinar DB electronic shutter. Please confirm the shutter and lens-board arrangement that matches your camera before ordering.

The current specification lists a front M105 P0.75 filter interface.

Yes. The portrait and out-of-focus sample images on this page are real photographs made with GrafNoct 150 and are provided as references. Film, plate, paper, focus, exposure, lighting, and development will still affect the final image.

This is a pre-order product. Estimated dispatch is within 2 weeks after order confirmation.

GrafNoct 150mm F/1.6 MC Extra Rapid Portrait Lens最先出现在Elevanfilm-拾忆菲林。

]]> https://elevanfilm.com/product/grafnoct150/feed/ 0 MutexTech Pentax 165mm f2.8 SMC Planar Lens to Copal No.3 Conversion Kit https://elevanfilm.com/product/mutextech-pentax-165/ https://elevanfilm.com/product/mutextech-pentax-165/#respond Wed, 04 Feb 2026 19:10:48 +0000 https://elevanfilm.com/?post_type=product&p=2889 Unlock New Potential for Your Classic Lens
Tailored for the Pentax 165mm f2.8 (Pentax 67 SLR camera system), this DIY conversion kit frees this iconic Pentax optic from its original system limits—seamlessly adapting it to the Copal No.3 shutter for large-format/view camera film setups. Expand the aperture of f2.8 to your large format camera system.

What's in the Box

  • High-precision CNC-machined Pentax 165mm f/2.8 Conversion Kit (Lens & Copal Shutter Not Included)
  • Aperture Sticker for Copal Shutter
  • Lens caps

Who It’s For

  • Pentax 67 SLR camera system owners
  • Large-format/view camera film photographers
  • Classic lens enthusiasts expanding their film gear

DIY-friendly, even for casual film hobbyists: Just unscrew the original front and rear lens mounts planes from your Pentax 165mm f2.8, seat the lens securely into the conversion kit, then fasten the new lens mounts planes in place—that’s all there is to it.

MutexTech Pentax 165mm f2.8 SMC Planar Lens to Copal No.3 Conversion Kit最先出现在Elevanfilm-拾忆菲林。

]]> MutexTech Pentax 165mm f2.8 SMC Planar Lens to Copal No.3 Conversion Kit最先出现在Elevanfilm-拾忆菲林。

]]> https://elevanfilm.com/product/mutextech-pentax-165/feed/ 0 EMP67 https://elevanfilm.com/product/emp67/ https://elevanfilm.com/product/emp67/#respond Sun, 25 Jan 2026 04:55:37 +0000 https://elevanfilm.com/?post_type=product&p=2829 EMP67 features a custom 80mm f/2.8 flat-field projection lens for stunning clarity, and a professional-grade, high-brightness, high-color-rendering light source that meets Fuji RDP/RVP projection standards for safe film handling. Supports multiple formats from 135 to 6x7, with a compact, portable design and built-in battery for outdoor use.

Projection size is adjustable from 30 to 80 inches, and its modular slot design unlocks the immersive power of special formats like IMAX film strips.

Experience the magic of large-format slides with true-to-life colors, anywhere.

KIT CONTAINS:

  • EMP67
  • Film holder kit
  • Charging cable & Quick start cards
  • Random slides as a gift

EMP67最先出现在Elevanfilm-拾忆菲林。

]]> EMP67最先出现在Elevanfilm-拾忆菲林。

]]> https://elevanfilm.com/product/emp67/feed/ 0 MutexTech Carl Zeiss P-Planar 150mm Lens to Copal No.3S Conversion Kit https://elevanfilm.com/product/pp150c/ https://elevanfilm.com/product/pp150c/#respond Tue, 09 Dec 2025 03:38:52 +0000 https://elevanfilm.com/?post_type=product&p=2765 Unlock New Potential for Your Classic Lens
Tailored for the Carl Zeiss P-Planar 150mm f/3.5 (Hasselblad PCP80 system), this DIY conversion kit frees this iconic Zeiss optic from its original system limits—seamlessly adapting it to the Copal No.3S shutter for large-format/view camera film setups. Expand the aperture to f/3.0 after conversion.

What's in the Box

  • High-precision CNC-machined Carl Zeiss PP150 f/3.5 Conversion Kit (Lens Not Included)
  • Aperture Sticker for Copal Shutter

Who It’s For

  • Hasselblad PCP80 system owners
  • Large-format/view camera film photographers
  • Classic lens enthusiasts expanding their film gear

DIY-friendly, even for casual film hobbyists: Just unscrew the original front and rear lens mounts planes from your P-Planar 150mm, seat the lens securely into the conversion kit, then fasten the new lens mounts planes in place—that’s all there is to it.

MutexTech Carl Zeiss P-Planar 150mm Lens to Copal No.3S Conversion Kit最先出现在Elevanfilm-拾忆菲林。

]]> MutexTech Carl Zeiss P-Planar 150mm Lens to Copal No.3S Conversion Kit最先出现在Elevanfilm-拾忆菲林。

]]> https://elevanfilm.com/product/pp150c/feed/ 0 EDL-SL | Retro Darkroom Safelight https://elevanfilm.com/product/edlsl/ Mon, 20 Oct 2025 03:34:59 +0000 https://elevanfilm.com/?post_type=product&p=2722 Illuminate your darkroom with precision and style. The EDL-SL Retro Safelight combines modern LED technology with a classic design, providing a reliable and safe light source for all your traditional printing needs.

HIGHLIGHTS:

1️⃣ Advanced LED Safety Light – Utilizes specialized LEDs that align with Kodak safelight filter technical specifications (TI0845), offering precise wavelength control, long lifespan, and minimal spectral decay compared to traditional bulbs.
2️⃣ Retro Design & Easy Installation – Features a classic 45° angled light surface for wide, even illumination. Includes a magnetic base, 1/4" screw hole, and hanging hook for flexible, wire-free mounting on metal surfaces, mini tripods, or walls.
3️⃣ Built-in Rechargeable Battery – Supports use while charging. Offers up to ~6 hours of runtime on the lowest setting and ~40 minutes on the highest, meeting extended darkroom session needs.
4️⃣ Dual Light Source Options – Choose between Red Light (for B&W graded/variable contrast paper, orthochromatic films, wet plate) and Yellow Light (for UV-based alt processes: cyanotype, Van Dyke, salt print, also wet plate).
5️⃣ High-Strength & Chemical-Resistant – Constructed from modified PETG copolymer and 6061 aluminum alloy, offering excellent resistance to acids, alkalis, moisture, and UV exposure for long-term durability.

Perfect for:

Black & White Darkrooms
Alternative Process(e.g., Cyanotype, Van Dyke)
Wet Plate

Why EDL-SL?

1.Tested safe for Ilford VC paper, Fuji X-ray film (green-sensitive), and cyanotype under specified conditions
2.Compact size: 107.4 x 107.6 x 56.4 mm (with hook)
3.Low power consumption: 10W
4.Authentic retro aesthetic meets modern functionality

EDL-SL | Retro Darkroom Safelight最先出现在Elevanfilm-拾忆菲林。

]]> EDL-SL | Retro Darkroom Safelight最先出现在Elevanfilm-拾忆菲林。

]]> Elevanfilm DSC | Anti Static Film Dust Cleaner https://elevanfilm.com/product/dsc/ Sun, 19 Oct 2025 07:20:44 +0000 https://elevanfilm.com/?post_type=product&p=2712 Effortlessly achieve dust-free film digitization with the EDL-DSC Anti Static Film Cleaner. This device tackles the persistent problem of dust and static during scanning or copying, ensuring your negatives remain pristine.

HIGHLIGHTS:
1️⃣ Dual-Action Dust Removal – Combines a soft conductive carbon fiber brush with a high-concentration plasma generator to eliminate static and sweep away dust effectively.
2️⃣ Wide Film Format Compatibility – Works with 4x5 large format sheets, 120/135 film, and even smaller film sizes.
3️⃣ High-Quality Materials & Design – Constructed from ABS, PMMA, carbon fiber, and stainless steel, with multiple color options available.
4️⃣ Replaceable Filter Paper – Features user-replaceable filter paper; replace after approximately 4000 hours of operation or when the filter appears visibly blackened.

Perfect for:
Self-developing & scanning  enthusiasts
Film digitization and copying users

Why EDL-DSC?
1.Eliminates static electricity effectively to prevent dust attraction
2.Gently removes adhered dust without damaging film
3.High ion concentration: Negative Ions: 900w pcs/cm³ | Positive Ions: 1200w pcs/cm³
4.Maintains film quality for superior scanning results

Elevanfilm DSC | Anti Static Film Dust Cleaner最先出现在Elevanfilm-拾忆菲林。

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Swipe To Check The Result

Dual-Action Cleaning Technology

  1. Static Elimination: A powerful plasma generator emits a high concentration of positive and negative ions (900w pcs/cm³ and 1200w pcs/cm³, respectively). This neutralizes the static charge on the film surface that attracts and holds dust particles.

  2. Physical Dust Removal: An extremely fine and soft conductive carbon fiber brush gently glides over the film, sweeping away both loose dust and particles that were previously held by static.

This combination ensures a thorough clean, preventing dust from being re-attracted during the handling process.

Carbon fiber brush details

Carbon fiber brush details

plasma generator

plasma generator

135 Format

135 Format

120 Format

120 Format

4x5 Format

4x5 Format

Unmatched Compatibility

Whether you are a large format photographer or a 35mm shooter, the EDL-DSC is designed for you. Its insertion slot is engineered to handle a wide range of film sizes, from expansive 4×5″ sheet films down to standard 135 format and smaller formats. This makes it a versatile and cost-effective solution for a hybrid film shooting setup.

Designed for Durability and Style

We believe your tools should be both functional and beautiful. The EDL-DSC is built from a robust combination of ABS, PMMA, carbon fiber, and stainless steel,
ensuring longevity and a premium feel. Furthermore, it comes in a variety of color options, allowing you to choose one that matches your style and workspace.

Colours of EDL-DSC

Colours of EDL-DSC

Working with EDL-DSC

Working with EDL-DSC

Size of EDL-DSC

Size of EDL-DSC

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Easy Maintenance

The built-in filter captures dust removed from your films. Maintenance is straightforward: simply replace the filter paper after about 4000 hours of operation (roughly six months of regular use) or whenever the filter paper looks significantly darkened. This ensures the unit continues to perform at its peak.

What's in the Box?

  • 1 x EDL-DSC Dust Cleaner

  • 1 x Power Adapter (100-240V 50/60Hz)

  • Initial set of replacement filter papers

  • User Manual

Elevanfilm DSC | Anti Static Film Dust Cleaner最先出现在Elevanfilm-拾忆菲林。

]]> 5×7 Sheet Film Holder https://elevanfilm.com/product/edl57ph/ Sat, 18 Oct 2025 06:43:27 +0000 https://elevanfilm.com/?post_type=product&p=2701 5×7 Sheet Film Holder最先出现在Elevanfilm-拾忆菲林。

]]> 5×7 Sheet Film Holder最先出现在Elevanfilm-拾忆菲林。

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